Rebel Without a Cause made quite a splash when it was released in 1955. Fat and happy in the postwar boom, American parents spent a lot of eon patting themselves on the back for they way they were raising their kids. Then along comes a movie that had the gall to portray affluent white teenagers as alienated and confused. It was an eye-opener. Dean plays Jim Stark, a disgruntled youth with an suffering residence life. His father (Jim Backus) is the ultimate henpecked husband, his mother (Ann Doran) a imperious shrew so image-conscious that the family has moved every time Jim has gotten into trouble. We bet him on Easter night, as he is picked up by the police for public drunkenness and taken to insipid hall. There, we obtain the other major characters: Judy (Natalie timber), who was picked up wandering the streets aft(prenominal) a fight with her father, and Plato (Sal Mineo), who celebrated his lonely birthday by stroke a litter of puppies with a handgun. The story unfold s everywhere the b ordinanceing 24 hours. Jim runs into trouble with the established crowd at his pertly school, and starts off a chain reaction that at long last leads to cataclysm for all of them. We focus on Dean because of his unseasonable ending and obvious screen presence, but the most stringy feat belonged to Sal Mineo.
Jim and Judy are strong enough to survive their problems, Plato isnt. He has already retreated into a fantasy world when Jim comes along; when Jim inadvertently disrupts the fantasy, Plato finally cracks. Mineo conveys all of Platos emotions from puppyish devotion to barely-concealed power with his huge, dogged eyes, only hi! nting at what is really going on inside. Natalie Wood becomes window dressing by the final act. Her manoeuver was to deliver a female... If you want to get a wide essay, order it on our website:
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