Beauty Behind The Brushstrokes Essay -- China Culture Art Papers

Beauty Behind The BrushstrokesChinese calligraphy, the ancient Chinese artwork of writing, has been around for as long as the history of China. Through yard of years of evolution, many styles and radiation patterns have been developed and established, namely the zhuan, li, kai, xing and cao styles (shu). Different styles stub out different personalities and are employ for different purposes and at different times. besides the underlying beauty of Chinese calligraphy, regardless of its style, lies in its expression of thoughts and feelings of the calligraphist and ultimately, the spontaneous response from the viewers mind. However, these styles, with different degrees of variation in forms, possess vary levels of expressiveness. The different level of expressiveness lies in the varaition of forms and the degree of variation. Zhuan shu and li shu are in the first place for official writings and zhuan shu is the precedent of li shu. Li shu follows a current strict prescription with minimal variations in the writings, and hence it is not very(prenominal) capable of expressing the thoughts and feelings of the calligrapher. However it is not until the materialization of li shu that this ancient form of writing can be considered as an art form with the electrical capacity of expressing ones feelings and thoughts, due to its flexibility and indefinite forms. Kai shu evolves from these two precedents and is the most commonly used style today due to its regular forms and legibility. However due to its meagerly stricter prescription, it allows fewer variations and hence is less capable of exuding the calligraphers e actions and personalities. But with an injection of motion or flow in kai shu, the words become more unruffled and indefinite. Such style is named xing shu, which is more ... ...of thoughts and feelings, which are all merely preludes, lies the apogee of the symphony of Chinese brushstrokes- the silent dialogue between human minds and their surro undings. plant life CitedS.H Khoo and Nancy L. Penrose. Behind the Brushstrokes Tales from Chines Calligraphy. Singapore Graham Brash Pte Ltd, 1993. Jean Francoise Billeter. The Chinese artwork of Writing. New York Rizzoli International Publication, Inc, 1990. A.H Maslow. Towards a Psychology of Being. New York John Wiley and Sons, 1968. Sartre, Jean-Paul. wherefore Write? In Critical Theory Since Plato ed. Hazard Adams. New York Harcourt enkindle Jovanovich, Publishers, 1971. Best, David. The Rationality of Feeling Understanding the Arts in Education. London The Falmer Press, 1992. absent-minded Works of calligraphyChiang Yee. Chinese Calligraphy. Singapore Graham Brash, 1938